Gus and Ruby helped us created these vine letterpress wedding invitations. Bridgette and Ramsey married at the Parador de Granada in Spain. They used a watercolor venue illustration throughout the suite. Vine ink used for the typography complimented the art making the green tone pop. The invitation, as well as the reply card, carried the letter “M” in addition to a sweet cartouche. Lastly, the envelope liner allowed the watercolor to steal the show.
Letterpress color: Vine | Digital CMYK | Fonts: Feel + Garamond | Design: Custom Created | Paper: 2 ply Bella Smooth Cotton White | Size: A7 | Customization: 46475 | Gus and Ruby
Posh Parties and Paper helped us to create these black letterpress invitations with gold foil accents. The cartouche sat at the top of the invitation in Gold Matte. The wording beneath printed in Black letterpress with script accents to play up the design. The suite contained a reply card and details card that coordinated with the rest of the design. Finally, they decided on a subtle envelope liner in our Gold Leaf stock.
Letterpress ink: Black | Foil color: Gold Matte | Fonts: Bodega script and Avera | Paper: Bella Cotton 2 ply | Size: F8 | Design: Custom Library | Liner: Gold Leaf | Customization: 44956 | Posh Parties and Paper
We created these garden inspired letterpress wedding invitations for Jennifer and Steven’s July affair. Modeled after our Noelle design, they customized this as their own with Petal as well as Vine letterpress inks. The suite contained a reply card with floral motifs carried from the wreath found on the invitation. The details card contained a vintage map background printed digitally. Finally, they used our Pearse pattern in Gold Matte with a digitally printed Petal backdrop. Thanks to the help of Magnificent Milestones for bringing this one together!
Danielle and Michael worked with our Brooklyn store to create these New York inspired rose gold wedding invitations. Their suite included a belly-band accented by the big apple skyline in rose gold as well. A fitting touch as the couple married at The Bowery Hotel. They kept the invitation traditional with touches of the Parisian script as well as a clean block font. The suite printed entirely in Rose Gold Shine included a reply set, website card, and a welcome dinner invitation. Finally, Umber on the envelopes complimented the foil color in a neutral way.
Foil color: Rose Gold Shine | Fonts: Parisian & Sans Capitals | Paper: Bella Regular Cotton | Size: F8 | Design: Custom Created | Customization: 47033 | Bella Figura – Brooklyn
We worked with Elizabeth and David to create these classic black wedding invitations with illustrated accents. The couple decided on clean as well as timeless typography that allowed the illustration to stand out all on its own beneath. The illustration leaves the guests with a glimpse into the venue on the big day. Touches of script added to each card gave the set a more feminine touch. The set contained a rehearsal dinner, details card, and brunch card. Each piece complimented each other in black letterpress ink. Lastly, we have no doubt this couple’s wedding came together beautifully!
Just Paper and Tea helped us create these gold foil and Prussian Blue letterpress wedding invitations. Emily and Sean opted for a Gold Matte foil tree motif placed at the top of their invitation. A thin Prussian Blue border outlined the perimeter in a subtle way. Gold foil accented the names of the bride and groom along with the venue. The suite contained a corresponding reply card as well as a details card in Prussian Blue. Finally, the envelope liner in Prussian Blue pulled in a map pattern to change-up the suite.
Letterpress: Prussian Blue|Foil color: Gold Matte | Font: Bougenville + Jubilant | Paper: Bella Cotton 2 ply | Size: F8 | Design: Custom Library | Liner: Customer Supplied in CMYK | Customization: 44626 | Just Paper and Tea
We are over the moon to announce that our Monet design by Sierra Detrick placed Bronze in the FSEA(Foil and Specialty Effects Association) Gold Leaf awards. The design placed in the best use of letterpress category. We’ll let the designer herself Sierra take it from here to tell us a little more about the makings of Monet:
What was the inspiration behind Monet?
I knew I wanted to do something a little more edgy, haphazard almost. I pictured this texturized, vibrant, modern suite in my head when I started. Projects begin by challenging myself internally. I’m usually a little more precise and controlled in my work so I wanted to see if I could create something that was the opposite of that.
How did you decide on the color palette you wanted to use?
I’m attracted to this fun, crazy late ’80s/ early 90’s vibe coming back on the scene. I thought back to my childhood with color palettes and patterns found in old cartoons like the Rugrats and my mother’s teal bridesmaid dresses with the puffed up sleeves. I felt the maroon grounded out the craziness of the other two colors. I knew the design itself was going to feel more modern so I was set on a retro color palette, but I was nervous about it. I wasn’t convinced it was going to be well-received because it was kinda out there!
What went into the technical process of making Monet?
My technical process was the exact opposite of technical. I went to the store, grabbed some acrylic paint, spread out a bunch of white Bristol paper and went to town for a few hours throwing paint on paper in an uncontrolled manner. I had no idea if this was going to work. I was just playing around and hoping I liked what landed on the page. The spare room in my apartment was covered with these heavily brush-stroked and texturized paintings that took days to dry because the paint was slathered on so thick. You couldn’t walk in that room for about a week.
How did it feel to find out you were nominated for an award and then how did it feel to find out you won Bronze?
I wasn’t in the office the day it was announced to the company so my friend and coworker texted me the news and I instantly started to cry. I was elated to find out I placed Bronze. It made me grateful for the mentorship and encouragement of my colleagues and everyone in the company who brought the suite to life. I have a seriously amazing team behind me that pushes me to be the absolute best designer I can be. Thanks for loving those crazy colors I was freaking out about!
Digital inks: Myrtle + CMYK | Embossing: Blind | Font: Surfside | Paper: Bella Smooth Cotton Bright White Duplexed 2-ply | Invite Size: F-8 | Edge Painting: Myrtle | Liner: Monet pattern in CMYK | Envelope: Bella Cotton Bright White
We worked with Gus and Ruby to create these Navy letterpress and floral wedding invitations. Our Rose 4 envelope liner served as the inspiration for this set. This rose image placed onto the invitation, reply card as well as the envelope liner kept the floral theme consistent and sweet. Navy letterpress for the typography added another touch of color to the suite. A script font added to the names of the bride and groom allowed the stars of the show to stand out from the rest.
Letterpress: Navy | Digital: CMYK | Fonts: Grace & Jubliant | Design: Custom Library | Paper: 2-ply Bella Smooth Cotton | Liner: Rose 4 in CMYK| Customization: 44063 | Gus and Ruby Letterpress
Oliver’s Twist helped bring Kelsey and Corby’s Wisteria letterpress wedding invitations to life. Script accents added to the bride as well as the groom’s name created a soft touch. The watercolor cartouche at the top held the monogram of the happy couple. Additionally, botanicals carried to the corners of the reply card mimicked the cartouche from the invitation. A small motif added to the front of the reply envelope kept the floral theme. Finally, the envelope liner tied everything together in Wisteria.
Poeme worked with Alexa and Richard to create these traditional black letterpress invitations with foil accents. They chose Gold Matte to accent the names of the bride and groom on the invitation. This accent foil color carried over to the reply as well as the details cards kept everything consistent. They chose a serif font for the typography with touches of script on the invitation to make the names pop. Black envelopes added contrast to the suite.
We helped bring Elizabeth and David’s black letterpress save the dates with a personal pet touch to life. They kept the design clean in a serif font as well as touches of script added to the mix. Black letterpress ink made the save the date easy to read and sets a classic tone right from the start. Finally, a sweet pet illustration added to the top of the save the date is sure to make their guests smile when they open their envelopes.
Letterpress: Black | Fonts: Bentham & Mon Voir | Design: Custom Created | Paper: 1 ply Bella Smooth Cotton White |Customization: 42054 | Bella Figura
Risa and Guilherme worked with our Bella Figura Manhattan store to create these botanical letterpress wedding invitations in Pewter. Inspired by Mannon, this couple made the design their own by changing up the color palette and fonts. Touches of hand-drawn motifs used in different ways warmed up the layout in Celadon ink. They even created a coordinating flat thank you set also printed in the same color scheme. Finally, an envelope liner continued the softness from the botanicals on the cards.
