Step outside of the box for your wedding invitations and choose bright, bold colors and a modern layout. This Gotham customization is all about being playful with color and having fun!
Gotham customization = inks: surf + geranium | fonts: minims + future | paper: white | invites size: f-8 | envelope liner: antique geometrics in pansy | edge painting in geranium | original design by Erin Jang | customized by in-house designer Lindsy Aragona
(Photo Credits: Brittany Lauren Photography)
Corporate shindigs are one of the top non-wedding uses for our letterpress invites, and here’s a really cool one we did recently based on Elizabeth and David Mandel‘s Deco design. Lion in the Sun sent this really sweet printing gig our way, along with some custom artwork that we printed on the envelope flaps to coordinate with the set. Overall it’s a beautiful invite that goes along perfectly with the 1920’s theme of the event.
inks: charcoal + black | paper: 1-ply ivory | invite size: f8 | envelope lining: vintage river pattern in black | customization #: 15544 |
We love how textural Jamie Lea Bertsch‘s Lush design is. The combination of pale gray and charcoal letterpress inks are the perfect color choice for these elegant and modern day of pieces.
inks: charcoal + pale gray | font: bodini | paper: 1-ply white | menu size: a6 |customization #: 15682 |
We think this customization of Maybelle Imasa-Stukuls’ Aria design looks fantastic in a pairing of our blind deboss and antique gold inks. We’re loving the inkless blind deboss to accent the border, making for the most beautiful colorless impression. Tossing in an envelope liner in metallic bronze adds the last regal touch.
inks: antique gold + blind deboss | font: sans capitals | calligraphy: Belle hand calligraphy, by Maybelle Imasa-Stukuls | paper: 1-ply ivory | invite size: f8 | liner: bronze | customization #: 15047 |
Our Amadore Antique design is reminiscent of centuries old Middle Eastern mosaics, architecture and textiles — ideal for quaint nuptials with a side of sheer elegance. Courtyard mosaics, fountains and intricate details all describe a wedding that this invitation would be perfect for.
amadore antique customization = inks: prussian blue + antique gold | fonts: utrecht + vessa | paper: ivory | invite size: SQ-7 | liner: vintage stripes in prussian blue + antique gold | original design by Jessica Tierney | customized by in-house designer Racheal Decker |
embellishment suggestions: pocketfold in iris
(Photo Credits: erin hearts court)
Ben Whitla‘s Irving design is just so restrained and clean – perfect for showcasing the typography and the beautiful impression of letterpress printing. Although these are thank you cards, they could also work just as well as social stationery for daily use. Thanks to Judy Paulen Designs for sending this one our way!
ink: pale gray | paper: 2-ply white | size: a6 | liner: the classic color pattern in pewter ink | edge painting: pewter | customization #: 15363 |
This customization of our Chapin design (by Patricia Mumau) may look familiar. The letterpress menu matches the 4 color letterpress wedding invitation suite that made it to our design contest. The british rose and olive bring the roses to a whole new level of beauty, while the calligraphy draws your attention to the delicious entrée selections. Thanks once again Elizabeth Grace!
inks: british rose + olive | font: jubilant | calligraphy: copperplate hand calligraphy, by Debi Zeinert | paper: 1-ply white | menu size: a6 | customization #: 15364 |
It would be an understatement to say that the pairing of mediterranean letterpress ink and gold shine foil makes for gorgeous wedding invitations. This customization of our Divya Formal design (by Racheal Decker) was sent to us by our friends at Judy Paulen Designs in New York. Metallic gold dust envelope liners completed the look of this stunning invitation set.
letterpress ink: mediterranean | foil ink: gold shine |fonts: moravia + nadine | paper: 1-ply white | invite size: f8 | liner: gold dust | customization #: 15164
Turn our regal Royal Frame letterpress wedding invitation into something fun and festive! Use a bold color scheme and turn a motif into a repeating pattern to create something unique and modern.
royal frame customization = inks: navy + garden | fonts: sofia + didot | paper: white | invite size: SQ-6 | edge painting: marigold | liner: modern herringbone in navy + garden | original design by Jessica Tierney | customized by in-house designer Andrea Streeter
embellishment suggestions: foil edging in indigo shine
(Photo Credits: Our Labor of Love)
We had the pleasure of working with Georgia Ann’s Paperie on this spectacular Balsam Calligraphy letterpress suite. The espresso ink truly brings out the beauty of the custom hand calligraphy by Patricia Mumau. The envelope liner and letterpress printed pocketfold are the perfect way to tie everything together.
ink: espresso | calligraphy: the Harrison hand by Patricia Mumau| paper: 2-ply ivory | invite size: f8 for pocketfold | customization #: 15044 |
This version of Ian Koenig‘s Dash design features a hand drawn (and really adorable) illustration of the Bride and Groom. The illustration was penned by our friend Carolynn Giordano, and it’s folky, handdrawn style just fits this design so perfectly. Custom design charges apply for this kind of thing, so please get in touch if you’re interested in something similar.
inks: charcoal + mesa | paper: 2-ply white | invite size: f8 | edge painting: amethyst | liner: traditional oxford pattern in pewter & charcoal | customization #: 14728 |
Designed by Maybelle Imasa-Stukuls these Antigua letterpress invitations have style. The flowing seaweed motif adds a carefree feeling and the soft color palette looks so delicate. Thanks to our friends at Urbanic Paper Boutique for sending us these to print!
inks: sherbet + taupe | fonts: meadow + vladimir | paper: 1-ply white | size: F8 | customization #:13499 |
