We are delighted to share these Joie de Vivre (by Kamal) letterpress wedding invitations submitted to us by our friends at Judy Paulen Designs in New York, NY.  This stylish set definitely has a cutting-edge vibe. We feel that the perfect pairing of mediterranean and pale gray inks is out of this world.  We think you will agree that this design lives up to its name-as the French phrase, “Joie de Vivre” translates to “a carefree enjoyment of life.” This set is customized with fuchsia edge paint and a stellar envelope liner to match!

inks: mediterranean + pale gray | fonts: streamline | paper: 1-ply white | invite size: sq-7 | liner: the antique geometrics pattern in fuchsia ink | edge painting: fuchsia |

Our New Calligraphy design (by Debi Zeinert) is extremely popular and we are loving the colors in this letterpress wedding invitation set. The nature infused accents from a custom Vineyard design inspired envelope liner to our vine ink bring a real earthy feel. The metallic gold edge painting brings in some luxury making this an elegant combination.

ink: vine | calligraphy: revolution hand calligraphy, by debi zeinert style  | paper: 1-ply white  | invite size: f8 | liner: custom vineyard design inspired pattern in antique gold | edge painting: metallic gold | client coordinator: christie jones | in-house designer: lindsy aragona

It’s always such a pleasure to work with our amazing clients and to craft their unique creative vision into letterpress reality (really it is).  Take for instance these extended horizontal thank you notes – they’re so different and cool that we just had to share them with everyone.  They feature Patricia Mumau‘s Harrison style hand calligraphy, and they’re printed in a stunning combination of espresso and ink-less blind deboss.  The champagne edge painting really stands out boldly on our 2-ply paper and we absolutely love the way no. 10 dimensions work for this piece.

inks: espresso + blind deboss | calligraphy style: harrison | paper: 2-ply white | size: no. 10 | edge painting: champagne | client coordinator: chris gannon | in-house designer: racheal decker

I don’t think you’ll ever come across a more vintage inspired letterpress wedding invitation!  Our Harlow design (by Jessica Tierney) looks especially timeless here with its own touch of flair. We have a weakness for wedding invitations with clean lines that still hold true to that romantic feel.  We can never get enough of a vibrant pop of color-and the aubergine edge painting beautifully contrasts with the pewter ink.  Paired with the perfect envelope lining -means tossing in another cool customization!  These invitations are perfect for a wedding venue so rich in history.

ink: pewter | font: moravia + harlow | paper: 1-ply white | invite size: a-7 | liner: reverse european formal pattern in aubergine ink | edge painting: aubergine | client coordinator: jessica hanaman| in-house designer: kyle laatsch

Our wonderful friends at Judy Paulen Designs in New York, New York gave us the pleasure to print such an exciting color combination that begged for an appearance on our blog! Our Charmed New York (by Jessica Tierney) letterpress invitations are printed in espresso and surf inks on our 2-ply white paper, and edge painted in surf ink for an extra pop of color. We are truly in the New York state of mind.

inks: espresso + surf | fonts: sans capital + nysa + impression | paper: 2-ply white cotton | invite size: f8 | edge painting: surf | envelope liner: the antique geometrics pattern in surf ink

Our Lush (by Jamie Lea Bertsch ) letterpress wedding invitations go from soft to stylish with this color customization submitted by Lion in the Sun in Brooklyn, NY. Letterpressed in Light Lavender and Charcoal inks on our 2-ply white paper, the design is highlighted with corner rounding and Champagne edge paint. The Reverse Simple Geometrics envelope liner in Champagne ink perfectly compliments the edge painting.

inks: light lavender + charcoal | font: billhead |  paper: white 2-ply | invite size: f8 | corner rounding | edge paint: champagne | liner: the reverse simple geometrics pattern in champagne ink

What better way to make sure your guests don’t let your wedding date *ahem* coast by, than with some letterpress save the date coasters?  We printed these Carte de Visite (by Ben Whitla) letterpress save the dates and matching coasters in Taupe, Papaya, and Sand inks, and we’ve got to say – we’re really into this color combo.

To make everything in this set as cohesive as possible we also custom designed and letterpress printed an envelope liner that coordinates with the cards and coasters.  Between this letterpress envelope liner and the bright Papaya edge painting on the save the date, this set really has some amazing presence when you open the flap (even before you take the pieces out!).

inks: taupe + papaya + sand | fonts: sofia + sans capitals + archive | paper: 2-ply white + coaster stock | save the date size: a6 | liner: custom pattern letterpress printed in taupe ink | client coordinator: chris gannon | in-house designer: kyle laatsch

We’re so excited to be kicking off our first ever Bella Figura design contest! We’ve reviewed the best-of-the-best invitations sent to us by our amazing retailers, and over the next 10 days we’ll be featuring the contest honorees, as well as the 1st, 2nd, and 3rd place winners. Our first honoree was sent to us by the Village Invites II in New York, New York. Kudos to the Village Invites II for figuring out how to take two classic Bella designs and turn them into a whole new animal!

This bold, modern letterpress invitation customization combines the best of our Alice (by Tara Hogan) and Deveril (by Beth Ann Seal) designs, and uses ink colors that really pack a punch!

There was no question in our minds that this invite deserved a spot on our design competition lineup. A big thanks to the Village Invites II for sending us this gorgeous customization!

ink: black + spring green | fonts: danube + impression | paper: 2-ply white | invite size: F-8 |  liner: vintage stripes in spring green ink | edge painting: spring green

This design won an honorable mention in our Bella Figura design competition for the first half of 2011. This twice-a-year competition recognizes outstanding and inspired design submitted by our beloved dealers.

We get to work with amazing people from every corner of this beautiful world on a daily basis, but it’s not everyday we get to ship invitations all the way to Bahrain (and that’s too bad really).  These Connemara (by Beth Ann Seal) letterpress wedding invitations are printed larger than our largest standard invitation sizes.  Measuring in at an impressive 8.25″ x 8.25″ they’re so big in fact that we needed to run them on our larger 13″ x 18″ Heidelberg Windmill press (affectionately nicknamed ‘Hindenburg‘ by our printers because it tends to be a little cranky).  Sea Mist and Navy inks,  Metallic Gold edge painting, rounded corners, and hand calligraphed Arabic text, all come together beautifully here on our 2-ply ivory paper.  We particularly love the way the fluid Arabic calligraphy compliments the repeating floral motif of the background.

inks: sea mist + navy | paper: 2-ply ivory | invite size: 8.25 x 8.25″ | edge painting: metallic gold | client coordinator: chris gannon | in-house designer: sarah walroth

Our Honoured Guest design (by Sarah Hanna) looks stunning paired with this custom color letterpress invitation set. We love the wording of the reply card and whimsical touch of the menu motifs (we can add menu motifs like these for free to your reply card – just ask one of our client  coordinators for more information).

ink: custom Pantone 669 | calligraphy style: honoured by sarah hanna | paper: 2-ply white | invite size: a-7 | liner: the reverse elegant chainlink pattern in custom Pantone 669 | edge painting: metallic silver | client coordinator: christie jones | in-house designer: racheal decker

by Christie Jones, Client Coordinator.