Our lovely pals at Social Graces in Nashville, Tennessee requested this stunning customization of our Victoria Calligraphy (by Sarah Hanna) in charcoal ink. Our European Formal envelope liner design is letterpress printed in our inkless blind deboss as a background that we think gives an elegant touch.

ink: charcoal + blind deboss | calligraphy: victoria hand calligraphy, by sarah hannah style. | paper: 2-ply ivory  | invite size: f8  | corner rounding |

Last week we showed you a look at some of our new 2012 letterpress invitation designs before and after they were customized, and this week we’re back with more design transformations! We’ve redone 5 of our favorite new modern invitation designs to show you just how much different an invitation can look with a color change, new fonts, and some design adjustments.

Neo Luna by Ian Koenig is charming and simple in the original design, but takes on a bolder look with a font change, added color and silver shine foil stamping.
Suggested embellishments: We think this design would look stunning with surf edge painting and a colorful envelope liner in the sea stripes pattern, printed in surf, marigold and mesa inks.
Details: letterpress ink: surf | foil stamping: silver shine | fonts: ollie + swiss | paper: bella cotton white 2-ply | size: f-8 | rounded corners

The Drawing Room design by in-house designer Sarah Walroth features fresh new fonts and a custom pocket-fold, but takes on a more whimsical look after a bit of customizing. We love this design as a square invitation with corner rounding, along with a playful font and fuchsia ink for the names.
Suggested embellishments: A white cotton pocketfold, letterpress printed with prussian blue ink and a blue pearl metallic envelope liner would add the perfect amount of shine to this pretty invitation set.
Details: letterpress inks: fuchsia + prussian blue | fonts: saint-andrew + lady rene | paper: bella cotton white 2-ply | size: sq-7 for pocketfold | pocketfold: white,  letterpressed in prussian blue ink

Ellie Snow designed the Classic Chevron invitation, which features on-trend chevron patterning, two lines of Belle hand calligraphy, and pretty sea-side and jade letterpress inks. The switch of jade ink to mustard and the repositioning of the chevron pattern gives this design customization a retro feel with a modern twist.
Suggested embellishments: A pretty custom postage stamp along with a custom envelope liner featuring the sweet polka pattern in mustard + sea-side inks would be lovely accents for this wedding invitation.
Details: letterpress inks: mustard + sea-side | fonts: sans capitals + hollow | paper: bella cotton white 2-ply | size: f-8 Read the rest of this entry »

This customization of our Gramercy (designed by Amy Graham Stigler) letterpress wedding invitations, sent to us by our friends at The Village Invites 2, is creativity at its best!  Gone are the original leafy designs which are replaced by a beautiful branch motif in blind deboss.  The color selection of pewter for the text is absolutely beautiful!   When this invite is coupled together with the wedding events/reply card its a sight to behold.  The outer envelope liner, shown here in shell ink, is just the icing on the cake.

inks: blind deboss + pewter | font:  sans capitals | calligraphy: the harrison hand calligraphy, by Patricia Mumau | paper: 1-ply white| invite size:  f-8 | liner: classic color pattern in shell ink

Bella Figura’s letterpress invitation designs for 2012 have arrived!  We’ve added 6 brand new designers and 83 new letterpress wedding invitation designs – which means you’ve now got over 300+ incredible designs to choose from! We’ve added new embellishment options, too — think metallics (foil stamping and foil edging now available in 12 dazzling colors – choose traditional metallics like gold, silver or copper, or go for something a little more daring, like fuchsia, indigo, forest or teal!). Metallics and shine will be a huge wedding trend for 2012, so mix foil stamping with letterpress for a hint of glamour, create a show-stopping look with a powerful pair of foil stamped colors (think two tone gold or gold with silver), or add foil edging for a splash of sophisticated flair.

Counter clock-wise from upper left: Aria by Maybelle; Canto by Kelle Anne McCarter; Fugue by Kamal; Traditional Script by Beth Barr; Moroccan Romantic by Lindsy Aragona; Unique Minimes by Gina Dean and Lauren Richel Kelly. 

New designs and metallics aren’t the only thing we’ve got that’s new for 2012! We’ve got new calligraphy styles, new options for pocketfolds, envelopes + envelope liners, and more. There’s a wide variety of artwork, cartouches, and monograms in our motif library.  Let Chris – one of our knowledgeable invitation experts – walk you through all of the amazing new offerings (just check out the video below!)

Timeless romance exudes from these letterpress save the dates in a charming customization of our Delambre Classic design (by Jessica Tierney – featuring Sarah Hanna‘s calligraphy accents). A vintage color combination of antique gold and pewter inks showcases the crisp floral patterning. A sleek rustic crosshatch patterned envelope liner brings a modern element to the sweet packaging making this save the date perfect for 2012!

inks: antique gold + pewter | font: utrecht | calligraphy: the victoria hand calligraphy, by sarah hannah style | paper: 1-ply white | size: a6  | liner: rustic crosshatch pattern in antique gold ink | client coordinator: christie jones | in-house designer: lindsy aragona

Not sure how to put your letterpress wedding invitations together? Not to worry — in this step-by-step video, Chris, a Bella Figura client coordinator, shows the proper way to assemble and stuff your wedding invitation sets, along with tips to make sure your envelopes are properly sealed.

We love it when someone thinks outside of the box and customizes one of our letterpress wedding invitations for a separate occasion. These letterpress surprise birthday invitations feature Patricia Mumau‘s whimsical Balsam Calligraphy design. Our vine ink fits perfectly with the calligraphy leaf motif that repeats throughout the set. For maximum contrast a solid envelope liner in Chartreuse and edge painting were carefully selected. We could barely keep these a secret!

ink: vine | calligraphy: harrison hand calligraphy, by patricia mumau style | paper: 1-ply white  | invite size: a7 | liner: the classic color pattern in chartreuse  | edge painting: chartreuse | client coordinator: christie jones  | in-house designer: lindsy aragona

Bella Figura calligrapher Debi Zeinert shared this close up look at her amazing work, a video that features her various calligraphy styles. Her elegant calligraphy can be found in her wedding invitation designs, and her calligraphy accents can also be found in other popular Bella designs (such as Loretta Formal and Calligraphy Monogram). In addition to beautiful, hand-calligraphed letterpress stationery and invitations through Bella Figura, Debi is also available for calligraphy addressing through her business, The Blooming Quill. Your envelopes, escort cards, and other wedding day stationery pieces can all be hand-done to match your letterpress printed suite! Check out this video to see Debi in action, and for more details on working with her, visit her website.

Featuring the gorgeous hand calligraphy of Debi Zeinert, Classic Calligraphy definitely tends to be one of our more, well, classic designs.  Throw some fresh Navy ink and vibrant Watermelon edge painting into the mix though, and you get a really great splash of bold contemporary style.  A brightly contrasting edge paint color is a wonderful way to make things fun and current without going too far overboard and loosing the vintage-inspired vibe of the overall set.  These invitations also feature a cute website card – an elegant and eco-friendly way to direct guests to your website for additional wedding details.

ink: navy | paper: 2-ply ivory | invite size: a7 | liner: antique geometrics pattern in navy | edge painting: watermelon | client coordinator: chris gannon | in-house designer: lindsy aragona

In a unique twist on Beth Ann Seal‘s classic Palmas design, this invitation set features the exquisitely personal Belle hand calligraphy of Maybelle Imasa-Stukuls in place of the design’s original fonts.  The calligraphy adds a distinct mark of human touch, which is reinforced by the deep, tactile impression of the artisan letterpress printing.  Ink-less blind deboss printing for the art-deco inspired border keeps things subtle, while a bright clover envelope liner adds a splash of excitement to this chic and natural looking invitation set.

ink: black + blind deboss | paper: 2-ply ivory | invite size: f8 | liner: classic color in clover | edge painting: chartreuse | client coordinator: chris gannon | in-house designer: sarah walroth