We’re always searching for a little extra “Omph”. That cherry on top but never too bold. Make a subtle announcement with a metallic liner.  What a great way for your guests to open a little sparkle with your light and airy announcement.

La Salle customization = inks: celadon + sea side + peach | fonts: Eros + Mimis | paper: white | invites size: f-8 | metallic liner: opal | original design by Ian Koeing | customized by in-house designer Brit Hammett

photo credits: Josh Goleman

Our latest letterpress wedding invitation release was full of many modern gems, but today we’re sharing the top 6 modern invitations so far from 2012. We’ve noticed neon shows its pretty little head in a sophisticated way (or think about neon edge painting on a very formal invite!). Black ink on a modern letterpress design keeps things formal while still feeling new. Foil, of course, is on the list — we are especially loving double foil (think matte silver and shiny silver, or silver paired with gold). You’ll find names in oversized fonts, along with slightly untraditional text layout and minimal design. Want to see more? Check out all of our modern wedding invitations here.

What are your favorite colors, fonts, and invitation designs for a modern wedding? Tell us in the comments section below!

1. New Horizon | 2. Gotham | 3. Dash | 4. Byzantine | 5. Fugue | 6. La Salle

Earth tones, metallics and foil accents can bring warmth to any wedding invitation, even amongst the cold winter months! With a little inspiration from a setting sun, a glistening metallic liner in gold dust and sparkly foil edging in copper makes this Soleil customization absolutely breathtaking!

Soleil customization = inks: hazel + persimmon | fonts: cooper + sunshine | paper: ivory | invite size: f-8 | metallic liner: gold dust | foil edging: copper | original design by Beth Ann Seal | customized by in-house designer Lindsy Aragona

(Photo Credits: Allyson Magda)

Last week we showed you a look at some of our new 2012 letterpress invitation designs before and after they were customized, and this week we’re back with more design transformations! We’ve redone 5 of our favorite new modern invitation designs to show you just how much different an invitation can look with a color change, new fonts, and some design adjustments.

Neo Luna by Ian Koenig is charming and simple in the original design, but takes on a bolder look with a font change, added color and silver shine foil stamping.
Suggested embellishments: We think this design would look stunning with surf edge painting and a colorful envelope liner in the sea stripes pattern, printed in surf, marigold and mesa inks.
Details: letterpress ink: surf | foil stamping: silver shine | fonts: ollie + swiss | paper: bella cotton white 2-ply | size: f-8 | rounded corners

The Drawing Room design by in-house designer Sarah Walroth features fresh new fonts and a custom pocket-fold, but takes on a more whimsical look after a bit of customizing. We love this design as a square invitation with corner rounding, along with a playful font and fuchsia ink for the names.
Suggested embellishments: A white cotton pocketfold, letterpress printed with prussian blue ink and a blue pearl metallic envelope liner would add the perfect amount of shine to this pretty invitation set.
Details: letterpress inks: fuchsia + prussian blue | fonts: saint-andrew + lady rene | paper: bella cotton white 2-ply | size: sq-7 for pocketfold | pocketfold: white,  letterpressed in prussian blue ink

Ellie Snow designed the Classic Chevron invitation, which features on-trend chevron patterning, two lines of Belle hand calligraphy, and pretty sea-side and jade letterpress inks. The switch of jade ink to mustard and the repositioning of the chevron pattern gives this design customization a retro feel with a modern twist.
Suggested embellishments: A pretty custom postage stamp along with a custom envelope liner featuring the sweet polka pattern in mustard + sea-side inks would be lovely accents for this wedding invitation.
Details: letterpress inks: mustard + sea-side | fonts: sans capitals + hollow | paper: bella cotton white 2-ply | size: f-8 Read the rest of this entry »

The Cascade letterpress wedding invitation is the perfect match for this timeless bride. A mix of modern shapes for him and soft script for her- think classic elegance with modern flare.

cascade customization = inks: charcoal + chartreuse | fonts: sophia + jubliant | paper: white | invite size: f-8 | liner: antique geometrics | edge painting: wisteria | original design by Kelle Anne McCarter | customized by in-house designer Brenda Fox |
embellishment suggestions: foil stamping : silver matte

(Photo Credits: Ashleigh Taylor Photography)

Our Harbor Beach design (by Jessica Tierney) looks ultra modern in this letterpress wedding invitation submitted by our friends, Francis Orr in Corona del Mar, California.  The color combination of sand and charcoal inks are so subtle, yet crisp. The anchor motif is replaced with a simple monogram and repeated throughout the suite. Charcoal grounds this set from the edge painting to the solid envelope liner. We love the beauty and simplicity that makes the letterpress printing shine.

inks: charcoal + sand | fonts: holden + aurora  | paper: 1-ply white  | invite size: SQ7 for inner envelope  | liner: classic color pattern in charcoal ink | edge painting: charcoal | client coordinator: christie jones | in-house designer: racheal decker

Our new collection of letterpress wedding invitations has arrived, and we’ve introduced 83 new invitation designs (plus metallics: foil stamping, foil edging and lots of other cool new embellishments!) for the 2012 wedding season. Since everything at Bella Figura is completely customizable, we thought we’d show you a ‘before and after’ look at some of our favorite new invitation designs to show how a change of color, fonts, and design placement can completely transform an invitation design.

First up: the La Salle invitation design by Ian Koenig. The original design is soft and romantic in camel + pewter inks, and features three fonts, but takes on a completely regal look with new inks (regalia and charcoal), corner rounding, and new fonts: Vessa + Jubilant.
Suggested embellishments: We think this design would look gorgeous with a European formal patterned envelope liner in regalia ink and a coordinating custom postage stamp.
Details: letterpress inks: regalia + charcoal | fonts: vessa + jubilant | paper: bella cotton white 1-ply | size: f-8 | corner rounding

Next up: Rustic Jolene – an earthy design with a folk-art feel – is completely transformed with a drastic (but gorgeous) change in design placement. Prussian blue and cornflower blue inks create a stunning two-tone effect, and the square size, corner rounding, and sophisticated fonts complete the look.
Suggested embellishments: a white cotton pocketfold with a monogram letterpress printed in Prussian blue would add a nice finishing touch, along with an envelope liner in our woodstock pattern in cornflower + Prussian blue inks.
Details: letterpress inks: prussian blue + cornflower blue | fonts: daisy + moravia | paper: bella cotton white 1-ply | size: sq-7 | corner rounding

Rococo Elegance, created by Beth Barr, one of our new designers for 2012, takes on a more floral feel in this elegant customization. Hand calligraphy accents and ivory paper give the design a soft, romantic feel.
Suggested embellishments: keep it simple with a European formal patterned envelope liner in taupe ink.
Details: letterpress inks: light peach + taupe | font: botany | paper: bella cotton ivory 1-ply | size: f-8 | hand calligraphy accents: spencerian style | corner rounding

Read the rest of this entry »

This customization of our Gramercy (designed by Amy Graham Stigler) letterpress wedding invitations, sent to us by our friends at The Village Invites 2, is creativity at its best!  Gone are the original leafy designs which are replaced by a beautiful branch motif in blind deboss.  The color selection of pewter for the text is absolutely beautiful!   When this invite is coupled together with the wedding events/reply card its a sight to behold.  The outer envelope liner, shown here in shell ink, is just the icing on the cake.

inks: blind deboss + pewter | font:  sans capitals | calligraphy: the harrison hand calligraphy, by Patricia Mumau | paper: 1-ply white| invite size:  f-8 | liner: classic color pattern in shell ink

We’re excited to start off the new year with a bit of glitz! Our Modern Fete letterpress design is fun and festive with it’s bursts of color reminiscent of confetti and tinsel that just shout a good time! For a touch of sparkle, swap our navy and fuchsia letterpress inks for indigo and purple shine metallic foils.

modern fete customization = inks: navy + fuchsia | fonts: adelais + memphis | paper: white | invite size: f-8 | liner: elegant ombre pattern in fuchsia and pale gray ink | original design by amy graham-stigler | customized by in-house designer: racheal decker

embellishment suggestions: foil edging: indigo shine

(Photo Credits: Jill Thomas)

The neon trend will continue to thrive in full force in 2012, so we’ve added some amazing new neon ink colors to our collection! Make a bold statement by printing your letterpress invitations in a vibrant neon color, or consider edge painting on your stationery in a bright color to add an extra wow-factor. Read on to see our favorite new neon inks & designs, and check out our tips for how you can pull in pops of neon throughout your wedding day!

Hot off the press & letterpress printed in hot pink ink (clockwise from top left): New Horizon, a modern new design from Tara Hogan; hot pink edge painting on the trendy New Washi invitation design by Kamal; grand old English styled hand calligraphed lettering is printed in hot pink in the Royal Calligraphy design by Debi Zeinert; the New Washi invitation design from Kamal, letterpress printed in hot pink ink and foil stamped in gold shine.

Lime-aid (an electric, lime-colored letterpress ink) adds a gorgeous hint of green to the Tapestry invitation by Tara Hogan (and looks stunning when printed alongside taupe ink); lime-aid ink looks extra-modern when paired with black ink and modern fonts in the Architect design by Erin Jang. Read the rest of this entry »