Archive for the ‘Invitations’ Category
We are busy preparing for the 2012 National Stationery Show that’s just a few weeks away, but we wanted to stop and take a break to share the letterpress and foil stamped invitations that we printed and sent out for the show! Our modern Unique Minimes design set the tone, and we love the way our hot pink letterpress ink looks when paired with shiny gold foil stamping! As part of our mid-year release, we’ll be introducing a new book filled with invitation designs for life’s special occasions: engagements, birthdays, showers, Bar & Bat Mitzvah, baby, and more. 9 new invitation designs will also debut at the show, and those will be available in early July at a Bella Figura dealer near you! We have the incredibly talented calligrapher Debi Zeinert of The Blooming Quill to thank for addressing the envelopes for these invitations in a metallic gold ink. We cannot get enough of the way those envelopes look!
inks: taupe + sand | fonts: salzburg + didot | paper: 1-ply ivory | invite size: sq7 inner | liner: european formal in sand ink |
This customization of our Modern Light letterpress wedding invitation design (by Ian Koenig) is just in time for Valentine’s Day. With soft pinks and subtle details paired with a customization of our Vintage Stripes liner, this invitation is perfect for a romantic, sweet event any time of the year.
modern light customization = inks: papaya + taupe | fonts: requiem + vessa | paper: white | invite size: f-8 | liner: customized vintage stripes in sand and papaya inks | original design by Ian Koenig | customized by in-house designer Sarah Walroth |
embellishment suggestions: opal colored envelope
(Photo Credits: Jennifer Bowen).
Our lovely pals at Social Graces in Nashville, Tennessee requested this stunning customization of our Victoria Calligraphy (by Sarah Hanna) in charcoal ink. Our European Formal envelope liner design is letterpress printed in our inkless blind deboss as a background that we think gives an elegant touch.
ink: charcoal + blind deboss | calligraphy: victoria hand calligraphy, by sarah hannah style. | paper: 2-ply ivory | invite size: f8 | corner rounding |
Our latest letterpress wedding invitation release was full of many modern gems, but today we’re sharing the top 6 modern invitations so far from 2012. We’ve noticed neon shows its pretty little head in a sophisticated way (or think about neon edge painting on a very formal invite!). Black ink on a modern letterpress design keeps things formal while still feeling new. Foil, of course, is on the list — we are especially loving double foil (think matte silver and shiny silver, or silver paired with gold). You’ll find names in oversized fonts, along with slightly untraditional text layout and minimal design. Want to see more? Check out all of our modern wedding invitations here.
What are your favorite colors, fonts, and invitation designs for a modern wedding? Tell us in the comments section below!
Earth tones, metallics and foil accents can bring warmth to any wedding invitation, even amongst the cold winter months! With a little inspiration from a setting sun, a glistening metallic liner in gold dust and sparkly foil edging in copper makes this Soleil customization absolutely breathtaking!
Soleil customization = inks: hazel + persimmon | fonts: cooper + sunshine | paper: ivory | invite size: f-8 | metallic liner: gold dust | foil edging: copper | original design by Beth Ann Seal | customized by in-house designer Lindsy Aragona
(Photo Credits: Allyson Magda)
Last week we showed you a look at some of our new 2012 letterpress invitation designs before and after they were customized, and this week we’re back with more design transformations! We’ve redone 5 of our favorite new modern invitation designs to show you just how much different an invitation can look with a color change, new fonts, and some design adjustments.
Neo Luna by Ian Koenig is charming and simple in the original design, but takes on a bolder look with a font change, added color and silver shine foil stamping.
Suggested embellishments: We think this design would look stunning with surf edge painting and a colorful envelope liner in the sea stripes pattern, printed in surf, marigold and mesa inks.
Details: letterpress ink: surf | foil stamping: silver shine | fonts: ollie + swiss | paper: bella cotton white 2-ply | size: f-8 | rounded corners
The Drawing Room design by in-house designer Sarah Walroth features fresh new fonts and a custom pocket-fold, but takes on a more whimsical look after a bit of customizing. We love this design as a square invitation with corner rounding, along with a playful font and fuchsia ink for the names.
Suggested embellishments: A white cotton pocketfold, letterpress printed with prussian blue ink and a blue pearl metallic envelope liner would add the perfect amount of shine to this pretty invitation set.
Details: letterpress inks: fuchsia + prussian blue | fonts: saint-andrew + lady rene | paper: bella cotton white 2-ply | size: sq-7 for pocketfold | pocketfold: white, letterpressed in prussian blue ink
Ellie Snow designed the Classic Chevron invitation, which features on-trend chevron patterning, two lines of Belle hand calligraphy, and pretty sea-side and jade letterpress inks. The switch of jade ink to mustard and the repositioning of the chevron pattern gives this design customization a retro feel with a modern twist.
Suggested embellishments: A pretty custom postage stamp along with a custom envelope liner featuring the sweet polka pattern in mustard + sea-side inks would be lovely accents for this wedding invitation.
Details: letterpress inks: mustard + sea-side | fonts: sans capitals + hollow | paper: bella cotton white 2-ply | size: f-8 Read the rest of this entry »
The Cascade letterpress wedding invitation is the perfect match for this timeless bride. A mix of modern shapes for him and soft script for her- think classic elegance with modern flare.
cascade customization = inks: charcoal + chartreuse | fonts: sophia + jubliant | paper: white | invite size: f-8 | liner: antique geometrics | edge painting: wisteria | original design by Kelle Anne McCarter | customized by in-house designer Brenda Fox |
embellishment suggestions: foil stamping : silver matte
(Photo Credits: Ashleigh Taylor Photography)
Our Harbor Beach design (by Jessica Tierney) looks ultra modern in this letterpress wedding invitation submitted by our friends, Francis Orr in Corona del Mar, California. The color combination of sand and charcoal inks are so subtle, yet crisp. The anchor motif is replaced with a simple monogram and repeated throughout the suite. Charcoal grounds this set from the edge painting to the solid envelope liner. We love the beauty and simplicity that makes the letterpress printing shine.
inks: charcoal + sand | fonts: holden + aurora | paper: 1-ply white | invite size: SQ7 for inner envelope | liner: classic color pattern in charcoal ink | edge painting: charcoal | client coordinator: christie jones | in-house designer: racheal decker
Our new collection of letterpress wedding invitations has arrived, and we’ve introduced 83 new invitation designs (plus metallics: foil stamping, foil edging and lots of other cool new embellishments!) for the 2012 wedding season. Since everything at Bella Figura is completely customizable, we thought we’d show you a ‘before and after’ look at some of our favorite new invitation designs to show how a change of color, fonts, and design placement can completely transform an invitation design.
First up: the La Salle invitation design by Ian Koenig. The original design is soft and romantic in camel + pewter inks, and features three fonts, but takes on a completely regal look with new inks (regalia and charcoal), corner rounding, and new fonts: Vessa + Jubilant.
Suggested embellishments: We think this design would look gorgeous with a European formal patterned envelope liner in regalia ink and a coordinating custom postage stamp.
Details: letterpress inks: regalia + charcoal | fonts: vessa + jubilant | paper: bella cotton white 1-ply | size: f-8 | corner rounding
Next up: Rustic Jolene – an earthy design with a folk-art feel – is completely transformed with a drastic (but gorgeous) change in design placement. Prussian blue and cornflower blue inks create a stunning two-tone effect, and the square size, corner rounding, and sophisticated fonts complete the look.
Suggested embellishments: a white cotton pocketfold with a monogram letterpress printed in Prussian blue would add a nice finishing touch, along with an envelope liner in our woodstock pattern in cornflower + Prussian blue inks.
Details: letterpress inks: prussian blue + cornflower blue | fonts: daisy + moravia | paper: bella cotton white 1-ply | size: sq-7 | corner rounding
Rococo Elegance, created by Beth Barr, one of our new designers for 2012, takes on a more floral feel in this elegant customization. Hand calligraphy accents and ivory paper give the design a soft, romantic feel.
Suggested embellishments: keep it simple with a European formal patterned envelope liner in taupe ink.
Details: letterpress inks: light peach + taupe | font: botany | paper: bella cotton ivory 1-ply | size: f-8 | hand calligraphy accents: spencerian style | corner rounding